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Clifford, “Jar Open for Reflection”,
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Schwartz “Foreword”, Store 5 is...,
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Ashley
Crawford, “Who's minding the store?”, The Age
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Milbank, “Introduction”, In Representation and
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Skinner, “Modernist Victories: Representation and
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Shaw, “Representation and Reaction: Modernism and the New Zealand
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Bambury, “Jet out from Muriwai”, Art News
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Štih, “Kaplanovo Pismo”, In Trnovo [Siena
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Jože
Hudeček, “Trnovčani In Božja Roka”, In Trnovo [Siena
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Davis, Six Degrees of
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Pat
Basket, “Station to Station”, The New
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Robyn
Peers, “Geometric Variations” The Press
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Robyn
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T.J. McNamara, “Art Spectrum Winds from Infrared to Ultra-violet”,
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(essay), In Bambury Works 1975
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Whybrew, “Contrasting Match”, The Press
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Mitchell, “The Certainty of Abstraction”, Urbis Winter
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Davis, “GLAVNA PRIČA [Bearing Witness]”, In In XIII.Telekomovi
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Peter
Simpson, “UNKNOWN (Stephen Bambury at Jensen Gallery)”, 2000
Raymond
Gill, “Art fair attracts usual controversy”, The Age
(Melbourne), 5 October, 2000 (illustrated)
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Bambury, “Foreword”, In XIII.Telekomovi Mednarodni
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2000 (illustrated)
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Anthony
Phelps, “Well Oiled Art”, The Dominion
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David
Famularo, “Shifting Positions”, The Dominion
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Eleanor
Black, “Powhiri Opens Art Station”, The Gisborne
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Daly-Peoples, “Call of the Cross Meets Heavenly Chance”, The
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McNaught, “NZ Abstracts in Town”, The Dominion
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J.P.
Cowey, “Staunch Art”, Urbis (New Zealand), pages
90-93, Summer, 1999 (illustrated)
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Strongman, “High Fidelity, Low Resolution”, In Bambury
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Paula
Savage, “Director's Foreword”, In Bambury Works
1975 – 1999, edited by Lara
Strongman, Wellington: Wellington City Gallery, 1999 (illustrated
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Peter
Simpson, “Bambury’s Ministry of Works”, The Sunday
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(illustrated)
Robert
Leonard, “Interview (with Stephen Bambury)”, In Bambury
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with Robert Gardiner”, In home and away:
Contemporary Australian and
New Zealand Art from
the Chartwell Collection,
pages 9-13, Wellington: Wellington City Gallery, 1999 (illustrated
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and New Zealand Art
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New Zealand Art from
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72, Wellington: Wellington City Gallery, 1999 (illustrated catalogue)
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McAloon, “Artists' Biographies (Stephen Bambury)”, In home
and away: Contemporary
Australian and New Zealand
Art from the Chartwell
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1999 (illustrated catalogue)
Wystan
Curnow, “Bambury in Abundance”, In Bambury Works
1975 – 1999, edited by Lara
Strongman, pages 38-40 Wellington: Wellington City Gallery, 1999
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Justin
Paton, (Review, Necessary Correction), Art New
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Leigh
Davis, “Bearing witness”, In Siena, Auckland: Jensen
Gallery, 1998 (catalogue)
Mark
Amery, “Bambury Cross is Becoming More Limited”, The
Evening Post (Wellington), 1 July,
1998
Michelle
Hewitson, “A space of one's own”, New Zealand
Herald (Auckland), 30-31 May, 1998 (illustrated)
Peter
Simpson, “Significant Translation”, Sunday Star-Times
(New Zealand), 13 September, 1998
T.J. McNamara, “A modern take on big baroque”, New
Zealand Herald (Auckland), 30-31 May,
1998 (illustrated)
T.J. McNamara, “Words and Pictures”, New Zealand
Herald (Auckland), 5 June, 1998
Adrienne
Rewi, “A Global Dialogue”, The Press
(Christchurch), 26 November, 1997 (illustrated)
Chris
Saines, “Introduction”, In Necessary Correction,
Auckland: Auckland City Art Gallery, 1997 (illustrated catalogue)
Diana
Dekker, Title unkown, The New Zealand
Listener, 14 December, 1997
John
Daly-Peoples, “Overseas Residencies Critical for Artists”, The
National Business Review
(New Zealand), 27 March, 1997
Mark
Amery, “Universal Dialects”, The Sunday
Star Times (New Zealand), 14 December, 1997
T.J. McNamara, “Black , white and allusive”, New Zealand
Herald (Auckland), 24 September, 1997
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Zealand Herald (Auckland), 28 May,
1997
UNKNOWN,
“Biographies”, In Necessary Correction,
Auckland: Auckland City Art Gallery, 1997 (illustrated catalogue)
Wayne
Lorimer, “Theme of connection in explorations of painting”
UNKNOWN (New Zealand), 3 November, 1997
William
McAloon, “Border Crossings”, In Necessary Correction,
Auckland: Auckland City Art Gallery, 1997 (illustrated catalogue)
Wystan
Curnow, “Necessary Protection”, In Necessary
Correction, Auckland: Auckland City Art Gallery, 1997
(illustrated catalogue)
Allen
Smith, “Foreword”, In ECNZ Live!
Works from the Rutherford
Trust Collection, Wellington: Wellington
City Gallery, 1996
Gregory
O'Brien, “Elegant look at contemporary painting in NZ”, review of
Contemporary Painting in New Zealand by Micheal Dunn, UNKNOWN,
1996
Mark
Amery, “Power of minimalistic geometric abstraction”, UNKNOWN
(New Zealand), 1996
Michael
Dunn, Contemporary Painting in
New Zealand, Roseville East: Craftsman
House, 1996
Pat
Baskett, “Together at Last in Germany”, The New
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UNKNOWN
“Aiming to Make a Big Impact”, The New
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“List of Works”, In ECNZ Live! Works
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Claire
J. Regnault, “Introduction”, In A Very
Peculiar Practice, Wellington:
Wellington City Gallery, 1995 (illustrated catalogue)
Deborah
Cain, “The Last Picture Show at the Centre for Contemporary Art”,
Art NZ Winter, pages 84-87, 1995 (illustrated)
Diana
Renker, “Double Entendre”, Midwest (Dunedin), #7, pages
20-21, 1995 (illustrated)
James
Mack, “NZ Show Challenges, Delights”, The Evening
Post (Wellington), 7 July, 1995
James
Ross (editor), New Zealand Modernism
in Context – Paintings
from the Gibbs Collection,
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Jane
Soyle, “A Very Peculiar Practice”, Art NZ
Spring, No.76, page 41, 1995
Jeremy
Rose, “The end of painting?”, City Voice
(Wellington), June 8, 1995
Justin
Paton, “New Game, New Rules”, New Zealand
Listener, pages 42-43, 12 August, 1995
Leigh
Davis, “Learning to Read”, A Very
Peculiar Practise, Wellington City
Art Gallery, 1995 (illustrated catalogue)
Mark
Amery, “Invitation to think a little peculiarly”, Sunday
Star-Times (New Zealand), 25 June, 1995
Pauline
Swain, “Some very peculiar practices on show”, The
Dominion (Wellington), 15 July, 1995
Peter
Shand, “Time spent in four chambers: A Very Peculiar Practice”,
Art NZ Spring, No.77 pages 64-66, 1995
Robert
Leonard, “Double Entendre”, Midwest (Dunedin), #7, pages
32-33, 1995 (illustrated)
Stephen
Bambury, “From the Model (Advaita)”, Z International
Art (Sydney), #1, 1995
Stephen
Cain, “Looking Beyond the Surface Can be Looking too Deep”, The
Evening Post (Wellington), 29 June 1995
T.J. McNamara, “Art that Tackles the Big Topics”, The
New Zealand Herald
(Auckland), 20 March, 1996
UNKNOWN,
“A fresh look at contemporary art”, The Dominion
(Wellington, New Zealand) 9 June, 1995
Warwick
Brown, 100 New Zealand
Paintings by 100 New
Zealand Artists, Godwit Publishing, 1995
(illustrated)
Bruce M.
Robinson, “Director's Foreword”, In Shared Pleasures
– The Chartwell Collection,
Hamilton: Museum of Art and History Te Whare Taonga o Waikato, 1994
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Deborah
Cain, Contemporary Art in View,
Centre for Contemporary Art 1982 – 1994, 1994 (catalogue)
Felicity
Fenner, “An Antidote to Creeping Craft”, Sydney Morning
Herald (Australia) September, 1994
Jenny
Zimmer, “Critical Essay”, In Circle,
Line, Square – aspects of
Geometry, Campbelltown: Campbelltown City Art Gallery,
pages 8-15, 1994 (illustrated catalogue)
Lara
Strongman, “The Chartwell Collection”, In Shared
Pleasures – The Chartwell
Collection, Hamilton: Museum of Art and History Te Whare
Taonga o Waikato, 1994 (illustrated catalogue)
Patrick
Reynolds, photographer. Photography in NZ Home
and Building, pages 71, 94-97,
October-November, 1994 (illustrated)
Robyn
Usser, “Exhibition Chance to Catch up with Artists”, The
Press (Christchurch), 16 March, 1994
Simeon
Kronenberg, “Rewards for some” (Art rave column), Artlink
(New Zealand) Vol.4, No.4, page 3, 1994
Sioux
Garside, “Introduction”, In Circle, Line,
Square – aspects of
Geometry, Campbelltown: Campbelltown City Art Gallery,
pages 5-7, 1994 (illustrated catalogue)
T.J. McNamara, “Perspective on Art” (column), New
Zealand Herald (Auckland), 31 March, 1994
T.J. McNamara, “Potency of the Koru”, New Zealand
Herald (Auckland), 18 August, 1994
UNKNOWN,
“Art Overview” (column). Auckland City
Lights Winter, page 13, 1994
UNKNOWN,
“Checklist of Works”, In Shared Pleasures
– The Chartwell Collection,
Hamilton: Museum of Art and History Te Whare Taonga o Waikato, 1994
(illustrated catalogue)
UNKNOWN,
transgression: The Newsletter
of the Auckland Branch,
NEW ZEALAND INSTITUTE OF
ARCHITECTS, No.12 4, cover, 1994
William
McAloon, “II: He receives His Cross”, In Station to
Station: The Way of
the Cross, Auckland: Auckland City Art
Gallery, 1994 (illustrated catalogue)
William
McAloon, “Way of the Cross”, In Station to
Station: The Way of
the Cross, Auckland: Auckland City Art
Gallery, 1994 (illustrated catalogue)
Allan
Smith, “Stephen Bambury”, Art and Text,
p.87, No.46, September, 1993 (illustrated)
Bridget
Sutherland, “+ - Stephen Bambury and Peter Roche”, New Work
Studio, The Gallery of Visual Culture Wellington, New Zealand, July,
1993 (catalogue)
John
Daly-Peoples, “Local Galleries Living Through Art Decline”, The
National Business Review (New
Zealand), 18 June, 1993 (illustrated)
Justin
Paton, “Latest Bambury Works”, The Press
(Christchurch) p.21, 15 June 1993
Stephen
Cain,”One Woman’s Escape”, Evening Post
(Wellington), 6 September 1993
UNKNOWN,
“Reflecting on crude art”, The Daily News
(New Plymouth) 28 November, 1993
Allan
Smith, “Six Abstract Artists”, MA Thesis, University of Auckland,
1992
Barbara
G., “Repented, Reformed, Reconstructed Modernist”, Fashion
Quarterly (New Zealand), Autumn, 1992 (illustrated)
David
Bonetti, San Francisco Examiner, 17
January, 1992
Kenneth
Baker, “'Intimate Abstraction' at Haines”, San
Francisco Chronicle, 13 January, 1992
Linda
Micheal, “The Museum Collection: New Zealand Works”, Museum
of Contemporary Art (Sydney),
1992 (catalogue)
Lita
Barrie, “Stephen Bambury: Conceptual Minimalism”,
Walters/Gimblett/Bambury, Christchurch: Jonathan Jensen
Gallery, 1992 (illustrated catalogue)
Pat
Unger, “Exhibition of Three Artists”, The Press
(Christchurch), page 24, 9 December, 1992
Paul
Shannon, “Bambury and the Cross”, Capital Times
(Wellington) vol.18, No.7, 1992 (illustrated)
T.J. McNamara, “Polish and Style from the Best”, New Zealand
Herald (Auckland), 2 July, 1992
UNKNOWN,
“Adam Portrait Prize Keenly Sought”, Capital Times
(Wellington) 15 July, 1992
Allan
Smith, “Stephen Bambury: New Paintings from Europe”, Art
New Zealand, No. 58, Autumn, 1991
(illustrated)
Amery
Mark, “Power of Minimalistic Geometric Abstraction”, UNKNOWN
(Wellington newspaper) October, 1991
David
Bonetti, “Geometric Art comes Full Circle”, San
Francisco Examiner, 18 January, 1991
John
Michael Espinasse, Acquisitions, Bretigny-sur-Orge: Centre
d’Art et de Culture, 1991 (illustrated catalogue)
Kevin
Ireland, “Content is always what drives the work”, Listener
and TV Times (New Zealand), 29
July, 1991
Linda
Tyler, Cross Currents, Hamilton:
Waikato Museum of Art and History Te Whare Taonga o Waikato, 1991
(illustrated catalogue)
Michael
Dunn, A Concise History of
New Zealand Painting,
Roseville East: Craftsman House, 1991 (illustrated book)
Nick
Pegnan, “Bambury's Purity,” H&B, page 32, Aug/Sept,
1991
Pat
Unger, “Bambury paintings”, The Press
(Christchurch) 6 June 1991
Pearson
Alison, “Design When less is More”, UNKNOWN, 3 August,
1991(?)
Peter
Simpson, “First Fruits from France”, The Press
(Christchurch) 4 June, 1991 (illustrated)
Simpson
Peter, “Sculpture, Painting”, The Press
(Christchurch), P20, 18 April, 1991
T.J. McNamara, “Perspective on Art: Stephen Bambury”, New
Zealand Herald (Auckland) 13 June, 1991
Warwick
Brown, “Compatible Abstractions”, Dominion Sunday
Times (Wellington) 30 June, 1991
William
McAloon, “Between Secular and Sacred”, Dominion Sunday
Times (Wellington) 16 June, 1991
William
McAloon, “Gallery Show”, The Press
(Christchurch), 20 March ,1991
UNKNOWN,
Eikon = das Bild.
Christliche Ikonen und
moderne Kunst, Reutlingen,: Stiftung fur
konkrete Kunst, 1991 (illustrated catalogue)
Ewan
McDonald, “Bambury Cross”, Contemporanea, No.22, November,
1990 (illustrated)
Gil
Docking, 200 Years of
New Zealand Painting – with
additions by Michael Dunn covering 1970 –1990, Auckland, David
Bateman, 1990 (illustrated book)
Hugh
Coley, “So tell us about it”, Listner (New
Zealand), 8-14 January, 1990
Jean-Françoise
Laville, “Stephen Bambury, laureat 89 de la Fondation 'Möet et
Chandon' en Nouvelle-Zélande, expose au Centre Passages”, l'Est
Eclair (Troyes) 4 May, 1990
Jean-Françoise
Laville, “ L'hommage de la Nouvelle-Zelande et de son ambassadeur
au premier laureat de la Fondation Möet et Chandon”, l'Est
Eclair (Troyes) 7 May, 1990
Jenny
Chamberlain, “Recent works on paper”, North &
South (New Zealand), October 1990
Jill
Malcolm, “Art and Champagne”, Pacific Way,
pages 72-75, October, 1990
John
Daly Peoples, “Wending their way overseas”, NBR Weekly
Magazine (New Zealand), 2 November, 1990
(illustrated)
Julie
Middleton, “Fellowship artist to stay in France”, Sunday
Star (New Zealand), 3 June, 1990
Liliane
Albertazzi, Bambury/Compagnon, Bretigny s/Orge, Centre d’Art
et Culture, 1990 (illustrated catalogue)
Pat
Unger, “The Christmas Show”, The Press
(Christchurch), 6 December, 1990
Philippe
Piguet, Stephen Bambury: Des
Geometries Intimes et
Variables, Troyes: Passages/ Centre d’Art Contemporain,
1990 (illustrated catalogue)
Richard
Dale, “A Quieter Response”, New Zealand
Herald (Auckland), 18 October, 1990
Stewart
Keith, “Not So Glittering Prizes”, Quote Unquote
(New Zealand), pages 14-16, 1990
UNKNOWN,
Brillant vernissage de l'exposition Stephen Bambury, l'Est
Eclair (Troyes), 5 May,1990
UNKNOWN,
“Möet & Chandon et l'Art Contemporain”, Rive Droit
Rive Gauche, 1990
UNKNOWN,
“Works from France by award recipient”, Remuera
Times (Auckland), 2 October, 1990
Bernadette
Rae, “A Fellow with Abstract Ideas for Germany”, New
Zealand Herald, 2 February, 1989
Brett
Michael, “Kiwi Painter Lords it Over Champagne Chateau”, Sunday
Star (New Zealand), A13, 29 October, 1989
Christopher
Allen, “Withering for want of a voice”, The Sydney
Morning Herald, 4 March, 1989
Davina
Jackson, ed., “the edge” (column), Belle Design
and Decoration (New Zealand) No 94 , page
18, 1989
Elwyn
Lynn, “Look out! The livid Looby's on the loose”, The
Weekend Australian (Australia and
International) 25 February, 1989
Lita
Barrie, “Looking a little tired and jaded”, National
Business Review (New Zealand), 24 November,
1989
Monique
Duterlay, “Moet & Chandon New Zealand Art Foundation”, En
Champagne No.48, cover & page 8, 1989
Patrick
Smith, “Young artists given chance in exhibition”, Sunday
Star (New Zealand) June 11, 1989
Peter
Timms, Bambury/Felber/Mitelman/Partos, Sydney: Garry Anderson
Gallery, 1989 (catalogue)
Richard
Dale, “Champagne illusion out of reach for most”, New
Zealand Herald (New Zealand), 1989
Rob
Taylor, “Touring showcase offers artistic diversity”, The
Dominion (New Zealand), 8 November, 1989
UNKNOWN,
Exhibitions No. 1 to
No. 20, Melbourne: Store 5, 1989
(illustrated catalogue)
Peter
Shaw, “Art Affairs”, Pacific Way April
'89, p.63-64 ,1989
UNKNOWN,
“Champagne traveller”, Auckland Star (New
Zealand), 8 October, 1989
Fondation
Möet & Chandon pour l'art contemporain, “Stephen Bambury”,
20 December, 1989 (press release)
UNKNOWN,
“Three young turks get big exposure at gallery”, Sunday
Star (New Zealand), 17 December,1989Wystan Curnow,
Constructed Intimacies, Auckland: Moet &
Chandon New Zealand Art Foundation, 1989 (illustrated catalogue)
Christopher
Heathcote, “Bambury”, Art Monthly (Australia
and International), Issue 13, August, 1988 (illustrated)
Christopher
Heathcote, “Bambury; Blackman;’Cries and Whispers, Site of
Execution”, Art Monthly (Australia),
Issue 13, pages 16-17, August, 1988
James
Ritchie, “Bambury: Calculated Tensions”, New Zealand
Listener, pages 86, 88, 26 November, 1988
Robert
Rooney, “The fruits of kiwi cooking”, The Weekend
Australian, 1988
Robert
Rooney, The Weekend Australian,
25/26 June, 1988
Tony
Green, “Stephen Bambury”, Art New Zealand
48 (New Zealand), pages 50-51, Spring, 1988
Tony
Green, Used Geometries, Auckland,: Artis
Gallery, 1988 (illustrated catalogue)
UNKNOWN,
“Artist Aims to Draw Full Response”, Waikato Times
(Hamilton),P3, 10 September, 1988
Caron
Eastgate, “Message in Corner”, Auckland Star
(New Zealand), B8,1987
Trish
Clark, Content and Symbol,
Auckland: Artis Gallery, 1987 (illustrated catalogue)
T.J. McNamara, “From indignation to contemplation”, New
Zealand Herald, 1987
Elva
Bett, New Zealand Art, Auckland:
Reed Methuen, 1986 (illustrated book)
Luit
Beiringa, Context/Content: A Survey
of Recent New Zealand
Art, Wellington: National Art Gallery, 1986 (illustrated
catalogue)
T.J. McNamara, Artis solo show review, New Zealand
Herald, 1986
Douglas
McGill, “New Zealand finds artistic roots in West”, The
New York Times, 18 January,
1985
J.Taylor
Basker, “From “Down Under” art to Northern Stars”, Artspeak
6(9) (New Zealand) 16 January, 1985
UNKNOWN,
“Stephen Bambury: Interview”, Splash #3,
pages 2-12, 1985
Barbara
Goodman, “Biting the Big Apple”, Pacific Way
(Air NZ magazine), page 24-25,
1984
Peter
Shaw, “Artists storm NY”, New Zealand
Times, 1984
UNKNOWN,
“Titirangi painter awarded $7000 arts grant”, Western
Leader (New Zealand) page 24, 1984
UNKNOWN,
NZNY, Auckland Star (New Zealand), 1984
UNKNOWN,
“A big impact”, Auckland Star (New
Zealand), 1984
Bridie
Lonie, “Seven Painters – The Eighties”, Otago Daily
(New Zealand),1983
Cheryll
Sotheran, “Seven Painters/The Eighties”, Auckland Star
(New Zealand),1983
Elva
Bett, “Gallery looks again at Gopas”, Dominion Post
(Wellington),1983
Stephen
Ellis, “Seven Painters/The Eighties”, New Outlook
(New Zealand) page 38, 1983
T.J. McNamara, Seven Painters/The Eighties (mention), New
Zealand Herald, 1983
Wystan
Curnow, “Seven Painters/The Eighties, The Politics of Abstraction”,
Art New Zealand 28, pages
34-38, 56, 1983
Linda
Gill, “Seven Artists The Eighties”, Insight 3(1) page 97,
1982
UNKNOWN,
“Painting Exhibition”, The Christchurch
Press, 1982
Elva
Bett, “Fruit and veges yield to art”, The Dominion
(Wellington) 1981
Neil,
Rowe, “New gallery blesses the Capital”, The Evening
Post (Wellington), 1981
Gordon
H. Brown, Reviews, Auckland Star (New
Zealand), 1980
T.J. McNamara, “Site Works”, New Zealand
Herald, 1980
UNKNOWN,
Outreach Nine Artists, Air NZ magazine,
1980
Gordon
Brown, UNKNOWN, Auckland Star (New
Zealand), 1979
T.J. McNamara, “Painter Hits Logical Point”, New Zealand
Herald, 1979
Jeff
Scholes, “Exhibitions”, Auckland Star
(New Zealand), 1978
T.J. McNamara, “Pattern emerging for shows”, New Zealand
Herald, 1978
T.J. McNamara, “Exhibition Avoids Abstract Tendency”, New
Zealand Herald, 1978
Dugald
Page, “Non-objective Exhibitions”, New Zealand
Herald, 1977
T.J. McNamara, “Unusual Colours Used”, New Zealand
Herald, 1977
T.J. McNamara, “Exhibition Sensitive, Interesting”, New
Zealand Herald, 1977
T.J. McNamara, “Exhibition Has Fine Paintings”, New Zealand
Herald, 1977
UNKNOWN,
“New Gallery to show abstract”, Auckland Tourist
Times (New Zealand), 1977
UNKNOWN,
“Central city art gallery opens”, City News,
1977
T.J. McNamara, “Select Festival Art Exhibition”, New Zealand
Herald, 1976
UNKNOWN,
“Round Galleries”, The Auckland Star,
1975
Please note:
this list has been referenced as a Chicago Reference Style for bibliographies (2009)
However, author names are always listed as 'first, last', the year of publication is always given at the end,
and full dates are listed as 'day-month-year'.
All articles are listed chronologically by year then alphabetically
according to the author's first name, titles within a book, catalogue etc.
Additional information is given in brackets.
Items are listed as 'illustrated' if they include images of the artist and/or his works.
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